The Things Reflected In My Eyes (瞳に映るもの)
Why photographs lie, and what beautiful photographs of ugly men can tell us about the nature of truth.
To be photogenic means to photograph well. It means that when four dimensions of space-time are flattened into two and much of your essence is lost, your physical attractiveness—at least—is preserved, captured in a photograph for posterity.
Through Facebook, I find an endless supply of photogenic individuals at my fingertips.
I often spend hours browsing through photos, indulging the horny little teenage girl in my mind who delights in filling in the gaps left by all the things not preserved, the dimensions that don’t photograph well.
I often spend hours browsing through photos, indulging the horny little teenage girl in my mind who delights in filling in the gaps left by all the things not preserved, the dimensions that don’t photograph well.
This one with the strong jawline and caterpillar eyebrows? He seems like the tall brooding type, a quiet intellectual that finds solace in books and writing, but who can also carry himself well in social situations, and happens to love math!
When I meet them in person, and they turn out to be even more than I imagined, I hold my breath and pray for the day when all Californians can get married.
More often than not though, Mr. Photogenic turns out to be anything but what I inferred from his strong jawline and caterpillar eyebrows. When this happens, it strikes at the core of my faith in mankind: How can a man so orgasmically beautiful be so heartrendingly stupid?
The fact that universally photogenic men can manifest so inconsistently in person is a testament to our multifaceted existence: We are not one-, two-, or even three-dimensional creatures; the essence of man spans so much more.
As beautiful as that sounds (yes I am aware of my tendency to gloss over ugly details), the fact is that there are some dimensions better left to the imagination: Sometimes, man’s essence can look like Maladora (exotically beautiful), but also smell like Maladora (pungently corpse-like).
I am sure photographers imagine their art is like a crucible. They frame the world through a camera lens, searching for that perfect angle, that perfect moment to crop out all irrelevancies and allow them to capture only what is important: the truth, as they see it.
But of course, multivariable calculus teaches us that 2 vectors cannot a 4-dimensional basis make.
Photographs lie, and photogenic men can turn into the beastliest of boys, precisely because 2-dimensional images can only ever hint at the full nature of infinite-dimensional truths.
Photographs lie, and photogenic men can turn into the beastliest of boys, precisely because 2-dimensional images can only ever hint at the full nature of infinite-dimensional truths.